

Unfortunately, you need the Standard version of iZotope to get RX Connect. Avid gave RX6 Elements as part of the Loyalty Offer. That stops the need to export/import audio manually every time you want to make a change as it's all done in the background.

This allows you take the audio from a clip into the standalone tool, do the necessary repairs etc., and then it sent back to your timeline. IZotope do have something called RX Connect. I suspect that this is something you can do in a DAW like Pro Tools. The idea is that you feed that delay into whatever tool your using so the compensation takes place in the background and audio & video are back in sync. You could go in there and shift the video track along by that amount but that will make a mess of the timeline. Channel DSP Pairing, Cue Bus Count, and Input Delay Compensation are within. It happens with the De-click effect as that requires some heavy processing. See 1 musician review, how 1 pro uses it, and where to get a deal on Neural.

The aux channel that the vocals are streamed to is also delayed by 15 ms, aligning it. Logic Pro will then delay both streams routed to the output channel by 30 ms, aligning them with the guitar tracks. iZotope will tell you exacly how much the audio is being delayed by. With plug-in latency compensation set to All, Logic Pro shifts the bass track forward by 10 ms, thus synchronizing the bass and drum tracks. Please read this article from AVID's Knowledge Base for more information on this issue.Because it's a track effect and it's being done in realtime, you can't render it. MASCHINE should now play in sync with Pro Tools.
